The chamber size only read, SMALL, MEDIUM, or LARGE. It corresponds to a hard rubber mouthpiece with medium chamber and a 6 tip opening (1,93 mm), Syos signature alto mouthpiece Victor Raimondeau, tip opening 6, It corresponds to a hard rubber mouthpiece with medium chamber and a 7 tip opening (2,05 mm), Syos signature alto mouthpiece Victor Raimondeau, tip opening 6*, It corresponds to a hard rubber mouthpiece with medium chamber and a 7 tip opening (2,18 mm), Syos signature tenor mouthpiece Eddie Rich, tip opening 6*. The difference is in the height of the floor and the width between the two side walls inside the mouthpiece. [3] Gary P. Scav one, An acoustic analysis of single reed. There are different Meyer mouthpieces models, with different characteristics: Syos is a quite different brand: it helps you getting the sound you want by making you a custom saxophone mouthpiece adapted to your sound and your playing style. According to Meyer these mouthpieces were made to duplicate the older style New York mouthpiece. Metal is a choice related to aesthetics, durability and comfort. No sharing.

Syos mouthpieces are made thanks to 3D printing technology, a "french touch" innovation that has been awarded by the Best Paris innovation award 2018. The choice of a particular brand depends on each musician's preferences. The American Meyer brothers first began making sax mouthpieces in 1916, and their products were played by numerous saxophonists during the golden age of jazz, including Sonny Stitt and Cannonball Adderley.

There’s an almost overwhelming number of respected brands on market – Drake, D’Addario, Guardala, Selmer Paris, Meyer, Theo Wanne, Otto Link, Vandoren and JodyJazz to name just a few. Inside they are very different. The American Meyer brothers first began making sax mouthpieces in 1916, and their products were played by numerous saxophonists during the golden age of jazz, including Sonny Stitt and Cannonball Adderley. Discover the collection of Syos alto saxophone mouthpiece, designed on-demand for artists after many years of scientific resarch. However, it’s important to remember that, ultimately, the player creates the sound, not the equipment, and the best thing to do is to find something that feels good (without expecting miracles! The small chambers were very bright, and the large chambers were very dark. The NYUSA mouthpieces retained the deeply rounded inner-side-walls of the Meyer Bros. mouthpieces. (2020 Guide). Numbers are used (6, 7, etc…) to precise the mouthpiece tip opening. Their Custom mouthpiece requires the customer to fill in an online form, which includes questions on musical style and desired brightness/darkness of tone, with comparisons to famous saxophonists as reference points. There are a huge number of possibilities in terms of tip opening and reed strength combinations. This is very uncommon though, so it is classified as a transitional mouthpiece. This may work fine for beginners, but at some point you will probably need to upgrade to something with a bit more quality. One of the newer manufacturers in this list,  Theo Wanne aims to take inspiration from the great jazz mouthpieces of days gone by and bring them firmly into the 21st Century. The customer then has 30 days to send the mouthpiece back for any further adjustments if required, and may continue to do this until fully satisfied. woodwind instruments with an emphasis on design. Check out our guide to the best saxophone players in history, our feature on the music of John Coltrane or the 2020 guide to buying a new saxophone for jazz. This is probably why they later dropped this table design. This is where you will find all of our discontinued, used, demo, blemished and factory second pieces. All the signature alto mouthpieces are available in the color and the tip opening you want. The wet reed bottom also expands into the table and further deforms the reed bottom, not allowing it to lay flat. Many professionnal players designed a signature mouthpiece with Syos: Godwin Louis, Knoel Scott, Seun Kuti, Terry Edwards, Jordan Reed, Saxl Rose, Victor Raimondeau… The quest of the best alto saxophone mouthpieces can be endless.

Many players prefer this resonant quality though.

Ike Quebec played the brass version of this mouthpiece: They even had a clarinet version which is very unique as it had rounded inner-side walls and a round chamber just like their saxophone mouthpieces. The inconvenient of hard rubber is its toxicity with aging, when acid sulfuric is released and mouthpiece turns into yellow-green. When you receive the mouthpiece, you have 30 days to test it, with the possibility to ask for further adjustments on the mouthpiece design to get it even closer to what you need. A mouthpiece is a very personal choice, what works well for me on my sax may not work for you on yours, so the best advice I can give is to try out as many mouthpieces as possible and decide the best for you. And, for more established players, we’ve put together this round up of some of the top choices of saxes for jazz, the best reeds to play on & how to choose a jazz sax mouthpiece in 2020. This free blowing mouthpiece makes a slightly brighter sound than a Meyer or an Otto Link due to a smaller chamber. With 24K gold plating, this mouthpiece certainly stands out aesthetically. The Datta range come in both metal and hard rubber, in a range of sizes, but our pick is the rich, resonant sound of the hard rubber version favoured by many modern tenor players. Do not hesitate to order! It's a reference for hard rubber jazz mouthpieces, with a rounded and warm sound. The accuracy of this step is controlled during the process. The distance between the reed tip and the mouthpiece, called the tip opening, is very important. We hope you find the above-mentioned list very useful. However, choosing the best jazz mouthpiece for you personally can seem like a daunting prospect, with a huge array of makes and models on offer.

The interior finish work is good, but not as good as the earlier model.

Avg. The cut-out was to allow the reed to vibrate more freely. So, whilst the question of ‘best’ saxophone mouthpiece for jazz will be personal to each individual player, we hope this guide will give you some useful insight and help with the decision-making process! Your email address will not be published. Jazz professional alto sax mouthpieces often have bigger opening to get more powerful and deep sound that can be more easily bended. And remember that this chart is to be used as a rough guide only. You just have to fill a form on Syos website to precise what saxophone you play, what kind of sound you like, and choose one of the 14 available colors for your saxophone mouthpiece. It also had a slightly longer shank, while the overall length of the mouthpiece stayed the same. The finish work on these was excellent. While they have changed from the vintage Meyers, they are the same general concept, and still a very good alto mouthpiece. It is a very nicely finished mouthpiece and came with a slide on ligature. The Meyer Brothers mouthpieces are also known for having a very good quality hard rubber compound that produces a very rich sound. There are an infinity of possibilities for soprano, alto, tenor and baritone saxophones. The Meyer "G" mouthpiece for alto and tenor sax is designed for musicians that are looking for a deep, soft and dark tone. Orchestral Musicians Bring Whales To Surface – This Will Take Your... Elgar’s Nimrod Vocal Performance Will Make You So Emotional. Considered … As a general rule, classical players tend to play harder reeds with a narrower mouthpiece opening, while jazz players may opt for a wider tip opening with a softer reed, although once again there are no hard and fast rules. So you have a unique mouthpiece made with a unique making process!. With a short facing there is usually a narrow tip opening (the gap between reed and mouthpiece is small).

Saxophone Mouthpieces; Alto Saxophones Mouthpieces; Tenor Saxophones Mouthpieces; Clarinet Mouthpieces; See All 3 Departments. Worlwide famous artists made their own custom alto sax mouthpiece with Syos. Much more than any alto mouthpieces I have ever played.”, “It exemplifies the best characteristics of the unique Meyer sound and playing experience.”, “They’re centered, easy to control, vibrant, colorful, and flexible for a rich sub-tone in the low register and screaming lead alto in the upper register.”.

“They nailed it! MEYER. The Meyer NY mouthpiece is an alto sax mouthpiece. ***, Sister Sledge, George Benson, Nile Rodgers. The early model did not have a clear line in the mold separating the chamber from the bore.