That night marked a momentous change in his life, and from that moment on, Lemml became passionately dedicated to The God of Vengeance. Off-Broadway/regional: Servant of Two Masters (Theatre For a New Audience, Yale Rep, Guthrie, ArtsEmerson, STC, Seattle Rep), A Doctor In Spite of Himself (Intiman Theatre, Berkeley Rep), The Moliere Impromptu (Trinity Rep). In spite of their efforts, Reina is let go and replaced by Virginia McFadden, whom Dorothee tries to help, but without betraying Reina in the process. She is attentive and caring to her husband, and is annoyed by Sholem Asch and his inflammatory writing, which tend to excite her husband and risk his health. But for all its intrepid modernity, “God of Vengeance” has some hoary melodrama in its DNA. In his review of the Broadway production for The New York Times, Ben Brantley said of the play "Indecent is, above all, decent, in the most complete sense of the word. Oh, and make that Dr. Vogel now. Taichman won a Tony for her direction of “Indecent,” which is as much a performance work as a scripted drama — an exemplary marriage, if you will, between writer and auteur. Thanks and love to my family and CGF. [9] The play was initially announced shortly after the Tony Awards to be closing on June 25, but on June 23 the Producers extended the run to August 6. Lemml is a tailor and the stage manager of The God of Vengeance.

In the play within the play, actors perform the closing moments of Sholem Asch’s 1907 Yiddish play “God of Vengeance.” The players here are Mimi Lieber, left, Adina Verson and Harry Groener.

[12] However, PBS moved the broadcast date ahead to November 17, 2017, pushing back a previously scheduled broadcast of Prince of Broadway until 2018. Elizabeth A. Davis, right, and Adina Verson embrace as lovers in “Indecent,” a play by Paula Vogel at the Ahmanson Theatre. WHAT “Indecent”.

40s-60s. Taichman titled her play The People vs. 'The God of Vengeance' which was presented at Yale Repertory Theatre in May 2000. 8���V�p������إ������&�!g}���aӓL�z�2)����n{�~�(�bVM�cM�T�|H�ж������ģW4��o�Z���|N �k0���p��%������T!k�)ޗ�z����&3�>J�^�֏E���u�6�s�]:I�����R4$�M}��,��1vJ�,���#��Qu��稈���ϻ��''D�����=��̄,�d�cͿoG�N�� c|�J��N$j������1��\� )&�=wցe(��VW�����AhR��E�K )O�v�f_[_7*��[��B��W��F���V�b�A�F@��}���Vn�U��?#���'Gxt5b?�ߨ� E�^>����g�&�[M�� �XH�C�R���~���g�w0�4��o�d����\(Nn�Ƽ0�C��q~0� a^n���/���"l���UB�y}�o{}d���~X�6r�*��̠7>�y4�`��T�^����Η)��#ypcS��!�������+%�|�ƚ�i6F �m�q�y��2 S_k It played a limited engagement to June 12, 2016. endstream endobj 113 0 obj <>stream Off-Broadway: Bronx Bombers, Opus (Primary Stages), When the Rain Stops Falling (LCT), Regrets (MTC), Lear, Twelfth Night, Winter's Tale (Public), and new plays at Playwrights Horizons, New Group, EST, Soho Rep, Vineyard among others. She read it and felt she couldn’t breathe.”, When Vogel heard that Taichman was trying to stage her dissertation on the play’s obscenity trial, she says, “I thought, ‘She is so obsessed.

Asch settles on Staten Island with his wife, and his literary career continues to grow.

She starred opposite the woman she loves, Reina, in the Yiddish production at The Bowery Theatre, and tries to help Reina learn English quickly enough that she can keep her part as well. Previous credits include Indecent (Vineyard, La Jolla, Yale Rep), The Servant of Two Masters (TFANA, Seattle Rep, Guthrie, ArtsEmerson), As You Like It (Shakespeare Theatre Company, DC), The Winter's Tale (Yale Rep), 4000 Miles (Cincinnati Playhouse), peerless (Barrington Stage), and Machine Makes Man (OldSoundRoom), which she co-created with Michael McQuilken.