Mad About Paris, Much more than a guide
Ginette Heilbronn Moulin, the 85-year-old lady, heiress and chairwoman of the Galeries Lafayette department store chain, is not short of money. Not at all. But this story is not about money. It’s about justice. Yesterday, the New York Times revealed, that more than 70 years after her father’s collection was plundered…
Photo: © Courtesy of the Metropolitan Museum, NYC, a Monet painting (Rapids on the Petite Creuse) resembling to the missing one
by the Nazis. Madame Heilbronn Moulin is claiming a missing painting by Monet. More than this: She suspects the Wildenstein family, an international dynasty of French art dealers, of concealing information about the stolen work.
What happened exactly? The missing painting called “Torrent de la Creuse” vanished in a Gestapo raid on a bank vault in the southwest of France. Back then, 10 paintings belonging to Madame Heilbronn Moulins father, Max Heilbronn, were taken by the Nazis. Her father who was Jewish and in the Resistance movement, was forced out of the Galeries Lafayette store and was immediately replaced by French collaborators. He then was imprisoned in Buchenwald, but luckily made it home after the war.
The painting never turned up again. But the German Bundesarchiv in Koblenz is in possession of a black and white photograph. Strangely, it was listed several times by art dealer Daniel Wildenstein in his inventories of Monet’s work. Wildenstein, who died in 2001, listed the painting as being in a private collection. In which one? Nobody knows.
The New York Times reports, that “the suspisions of Ms. Moulin and her family were aroused last year when more than 30 artworks that had been reported missing or stolen were found in a vault at the Wildenstein Institute, a non-profit research organization that the Wildensteins run from a mansion on the Right Bank.”
In other words: How did Daniel Wildenstein know that the missing painting was part of private collection? And if he knew, was he not hiding a crime? And is it not logical to go further and wonder whether the Jewish art dealer was hiding himself a painting acquired in strange circumstances? Consequently, might it be possible to discover the missing Monet in the vault of the Wildenstein Institute if you were to look more thoroughly?
As Madame Heilbronn Moulin said in an interview with Doreen Carvajal of the New York Times: “It’s not a question of the price of the painting. It’s a question of a victory against the Germans…”. Then her voice trailed off.
Seventy years is not enough time to forget the great injustice done to her family. But neither is it too late .